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Free for Commercial Use

Sans Superellipse Abmon 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Nusara' by Locomotype, and 'Dalle' by Stawix (names referenced only for comparison).

Keywords: ui text, product design, branding, signage, editorial, modern, clean, friendly, neutral, tech, clarity, neutrality, modernization, ui friendliness, rounded terminals, soft corners, geometric, superelliptic, open apertures.


Free for commercial use
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This typeface is a clean sans with superelliptic construction: rounds read as softly squared curves, and straight strokes keep a consistent, low-contrast thickness. Corners are subtly rounded rather than sharp, giving forms a smooth, machined feel. Counters are generally open and generous, and curves transition evenly into stems with minimal modulation. Overall spacing and rhythm feel orderly and contemporary, with simple, unembellished letterforms and a steady baseline presence.

It suits interface typography, product screens, dashboards, and other environments where a clean, stable texture is needed. The clear shapes and softened geometry also work well for contemporary branding systems, wayfinding, and general editorial layouts that benefit from a neutral, modern sans voice.

The tone is modern and matter-of-fact, with a gentle friendliness coming from the softened corners and rounded terminals. It feels pragmatic and UI-minded rather than expressive, projecting clarity, approachability, and a quiet technical confidence.

The design appears intended to deliver a contemporary geometric sans with softened, superelliptic forms—balancing technical precision with a mild warmth. The consistent stroke behavior and restrained detailing suggest a focus on clarity and reliable day-to-day readability across common sizes.

The superellipse influence is especially evident in rounded letters and numerals, which appear more squared than purely circular. The lowercase maintains a straightforward, functional texture in paragraphs, while caps and figures keep a crisp, signage-like silhouette without looking rigid.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸