Sans Superellipse Remeg 4 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Core Sans M' by S-Core and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).
Keywords: ui design, product branding, wayfinding, editorial, presentations, clean, neutral, modern, calm, technical, clarity, modernization, approachability, system consistency, versatility, rounded corners, open apertures, monoline, geometric, crisp.
A clean, geometric sans with softly squared, superellipse-driven curves and rounded corners throughout. Strokes stay largely monoline, with smooth joins and consistent terminal treatment that reads crisp rather than calligraphic. Proportions are balanced and contemporary, with generous counters in letters like O, D, and e, and open apertures that help maintain clarity in text. Lowercase forms are straightforward and functional, pairing a simple single-storey a with a compact, looped g and a tidy, neutral rhythm across words and numerals.
It works well for UI and product typography where clean shapes and open counters support quick scanning, and it also suits corporate branding, signage, and editorial settings that benefit from a neutral, contemporary sans. The design’s softened corners help it stay friendly in larger display sizes while remaining composed in paragraph text.
The overall tone is modern and restrained, projecting a quiet efficiency rather than personality-forward flair. Its softened geometry adds approachability while keeping a precise, system-like feel that suits contemporary interfaces and brand work.
The design appears intended as a modern, general-purpose sans that blends geometric structure with softened, superellipse-like curves for an approachable but precise voice. It prioritizes clarity and consistency across cases and numerals, aiming for dependable performance in both interface and print-oriented layouts.
Round forms lean toward rounded-rectangle geometry rather than perfect circles, giving the font a subtly structured texture. Diagonals (V, W, X, y) are clean and stable, while punctuation and dots appear compact and controlled, reinforcing the font’s orderly, minimal character.