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Free for Commercial Use

Solid Tyze 1 is a very bold, normal width, low contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, packaging, merchandise, industrial, playful, chunky, punchy, mechanical, max impact, stencil effect, graphic texture, signage feel, novel display, stencil cuts, rounded corners, blocky, compact, modular.


Free for commercial use
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A heavy, block-built display face with soft, rounded outer corners and a largely rectangular skeleton. Many letters are drawn as solid masses where traditional counters are collapsed, then reintroduced through small rectangular notches and slit-like cut-ins that act like stencil breaks. Stroke endings are square and abrupt, with occasional corner chamfers and asymmetric bite marks that create a deliberately uneven rhythm. Overall spacing reads compact and dense, with simplified forms that remain legible through silhouette rather than interior detail.

Best suited for large-scale display settings where mass and texture are assets: posters, headlines, branding marks, packaging, and merchandise graphics. It can also work for short labels or signage-style callouts where a stenciled, cut-out look is desired, but it will read most clearly when given generous size and breathing room.

The font projects a rugged, industrial energy with a playful, toy-block assertiveness. Its chunky black shapes and small mechanical cutouts suggest stenciled signage, stamped labeling, and bold poster typography, giving it a loud, attention-grabbing presence.

The design appears intended to deliver maximum visual weight with a constructed, cut-and-notched aesthetic, evoking stenciling or block carving while keeping a friendly rounded exterior. By collapsing counters and using negative cut marks as the main internal detail, it creates a bold, graphic texture optimized for impactful display typography.

The distinctive cut-in apertures vary by glyph and sometimes interrupt joins, creating a jittery texture across words. Round letters like O and Q become squarish and pillow-like, while diagonal letters keep a carved, faceted feel. The design emphasizes strong word-shape and impact over fine internal clarity, especially in smaller sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸