Sans Faceted Idluj 9 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, headlines, posters, branding, tech ui, technical, futuristic, precision, minimal, mechanical, geometric styling, sci-fi tone, systemic consistency, precision feel, monoline, faceted, angular, octagonal, geometric.
A monoline sans built from straight strokes and clipped corners, replacing curves with crisp facets that often read as octagonal bowls and terminals. Strokes are uniformly thin with clean joins and a slightly segmented feel at corners, giving rounded forms like O, C, and G a chamfered, planar geometry. Proportions are tidy and fairly narrow in many letters, with open counters and generous interior space that keeps the texture light. Uppercase forms are clean and schematic, while lowercase maintains the same faceted construction with single-storey a and g and simple, linear ascenders and descenders.
Best suited to display applications where the faceted geometry can be appreciated—headlines, posters, titles, and branding with a technological or futuristic direction. It can also work for interface labels or dashboards when sizes are sufficient to keep the thin strokes and corner cuts clear.
The overall tone is technical and forward-looking, evoking instrument panels, CAD lettering, and sci‑fi interface typography. Its sharp chamfers and wireframe-like lightness suggest precision and engineered restraint rather than warmth or expressiveness.
The design intent appears to be a clean geometric sans that translates curved letter anatomy into planar, chamfered segments, creating a distinctive faceted voice while preserving straightforward readability. It prioritizes consistent stroke weight and a system-like construction to communicate modernity and precision.
Figures follow the same clipped-corner logic, with 0 rendered as a faceted ring and several numerals showing angled cut-ins instead of smooth curves. The thin strokes and angular detailing become more prominent at larger sizes, where the faceting reads as an intentional stylistic motif.