Font Hero

Free for Commercial Use

Sans Normal Ohniy 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Ageo' by Eko Bimantara, 'Crossten' by Horizon Type, 'Basecoat' by Jonathan Ball, 'Quavo' by Quatype, and 'Antique Olive' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logotypes, playful, friendly, retro, chunky, bubbly, display impact, approachability, retro charm, brand character, soft geometry, rounded, geometric, soft, compact, high-contrast counters.


Free for commercial use
Customize the font name

A heavy, rounded sans with monoline strokes and strongly softened corners throughout. Letterforms rely on broad circular and pill-shaped geometry, producing large, smooth outer curves and tight, rounded counters that stay consistent across the set. Terminals are blunt and clean, with occasional teardrop-like joins and cut-ins that give certain characters (notably in the lowercase) a distinctive, constructed feel. Uppercase proportions are sturdy and compact, while the lowercase shows simplified shapes and single-storey forms with short ascenders/descenders, keeping an even, blocky rhythm in text. Numerals match the same inflated geometry, reading as robust, poster-friendly figures rather than texty lining digits.

This font performs best in headlines, posters, and short-form messaging where its rounded, chunky silhouettes can carry the layout. It’s a strong fit for branding and packaging that aims for friendly energy—food, kids, lifestyle, and retro-themed applications in particular. For longer passages, larger sizes and generous spacing help preserve clarity as counters close up.

The overall tone is upbeat and approachable, with a distinctly retro, sign-paint and mid-century display flavor. Its rounded construction and dense black presence feel warm and comic without becoming chaotic, making it well-suited to cheerful, attention-grabbing typography. The quirky internal cut-ins and softened joins add personality that reads as handmade-inspired while remaining clean and systematic.

The design appears intended as a characterful display sans that emphasizes soft geometry, strong presence, and an approachable retro voice. Its simplified shapes and consistent rounding prioritize bold silhouette recognition and brandable personality over neutral text economy.

The design maintains strong consistency in stroke weight and curvature, which helps it stay cohesive at large sizes. Because counters and apertures can get tight in letters like a/e/s and in some numerals, it favors display settings where the bold silhouettes and rounded forms can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸