Sans Superellipse Radiv 9 is a regular weight, very narrow, monoline, upright, tall x-height font visually similar to 'Quiel' by Ardyanatypes, 'Argon' by Designova, 'Kaneda Gothic' by Dharma Type, 'Agharti' by That That Creative, and 'Heroic Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, packaging, ui labels, wayfinding, condensed, modern, utilitarian, technical, clean, space saving, modern clarity, geometric consistency, neutral branding, rectilinear, rounded corners, compact, high-contrast spacing, architectural.
A tightly condensed sans with monoline strokes and a crisp, rectilinear construction softened by rounded-rectangle curves. Bowls and counters feel squarish and controlled rather than purely circular, giving letters a compact, engineered rhythm. Proportions are tall and narrow with a relatively large x-height, short extenders, and compact apertures; terminals are clean and minimally shaped. Numerals and punctuation follow the same narrow, vertical emphasis, producing a consistent, economical silhouette in text.
Best suited for headlines, subheads, labels, and space-constrained layouts where height and compact width are advantageous. It can work for short bursts of text in interfaces, signage, and packaging, especially when paired with ample tracking or line spacing to maintain clarity.
The tone is contemporary and no-nonsense, with a slightly industrial, system-like feel. Its narrow stance and squared curves convey efficiency and structure, reading as pragmatic and modern rather than expressive or calligraphic.
The design appears intended to maximize information density while maintaining a clean, contemporary look through consistent monoline strokes and rounded-rectangular forms. Its geometry suggests a goal of orderly, modern legibility in narrow settings and display applications.
In running text, the tight widths create a dense vertical texture; generous line spacing helps it breathe. The squared-round geometry is especially noticeable in letters like O/C and in the closed, compact bowls of a/e/g, reinforcing a cohesive, constructed voice across cases and figures.