Sans Superellipse Ruduv 15 is a bold, very narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, art deco, display, modernist, retro, dramatic, space saving, poster impact, retro tone, geometric clarity, brand voice, condensed, monolinear, rounded corners, vertical stress, high-waisted caps.
A tightly condensed sans with tall proportions, monolinear strokes, and rounded-rectangle (superellipse-like) counters. Curves are restrained and squared-off at key turning points, producing a crisp, architectural rhythm. Terminals are generally flat with occasional tapered or notched joins, and several letters feature distinctive descenders or spur-like tails (notably in K, Q, R, and some lowercase forms), adding texture without breaking the overall geometric consistency. Spacing appears compact and vertical, with narrow apertures and smoothly rounded bowls that keep the forms cohesive at display sizes.
Best suited to headlines, titles, and short bursts of text where its condensed build and stylized letterforms can read clearly and create atmosphere. It fits well in posters, event graphics, packaging, and signage where a streamlined, retro-modern voice is desirable, and where tight horizontal space is an advantage.
The overall tone feels Art Deco–influenced and poster-forward: sleek, urban, and slightly theatrical. Its narrow stance and stylized details suggest a vintage-modern attitude—confident, streamlined, and designed to command attention in headlines.
The design appears intended as a condensed display sans that merges geometric, rounded-rect construction with selective decorative cues. Its goal seems to be delivering strong vertical presence and a distinctive, era-evocative personality while keeping the overall system clean and coherent across letters and numerals.
The uppercase set reads especially tall and statuesque, with simplified interior shapes and a consistent rounded-rect geometry across C/G/O/Q. Lowercase forms maintain the same condensed construction while introducing idiosyncratic elements (such as the single-storey a and distinctive j, r, and y), giving text a patterned, emblematic texture. Numerals follow the same tall, compact model, with rounded corners and even stroke weight for strong visual uniformity.