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Free for Commercial Use

Sans Normal Mened 5 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'Newhouse DT' by DTP Types, 'HD Colton' by HyperDeluxe, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Otoiwo Grotesk' by Pepper Type, 'Rational' by René Bieder, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, assertive, energetic, industrial, retro, impact, motion, display, branding, attention, oblique, slanted, chunky, rounded, soft corners.


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A heavy, oblique sans with broad proportions and compact internal counters. Strokes are thick and confident, with rounded corners and smooth, elliptical curves that keep the forms friendly despite the weight. The construction leans geometric but not rigid: bowls are full, apertures are fairly tight, and terminals are generally blunt. Numerals and capitals match the same wide, forward-leaning rhythm, giving the set a cohesive, poster-like texture.

Best suited to short, high-impact text such as headlines, posters, sports and event graphics, packaging callouts, and logo/wordmark work where a strong slanted presence is desirable. It can work for brief subheads or labels, but extended reading will generally benefit from generous size and spacing.

The overall tone is loud and fast, with a forward slant that reads as motion and urgency. Its dense black mass and rounded geometry feel sporty and promotional, balancing toughness with approachability. It suggests impact-driven messaging—headlines that want to look confident, modern, and a bit retro in attitude.

This design appears intended to deliver maximum visual impact with a sense of speed, using a bold oblique structure and rounded geometric shaping to stay legible and friendly at display sizes. The wide stance and dense strokes aim to create a commanding typographic voice for branding and promotional messaging.

In paragraphs, the bold oblique stance creates strong horizontal momentum and a dark color on the page, so it tends to dominate layouts. The tight counters and heavy joins can reduce clarity at smaller sizes, while larger settings emphasize its smooth curves and punchy silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸