Sans Normal Diled 4 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'Jam Adega' by JAM Type Design; 'Frutiger', 'Frutiger Arabic', 'Frutiger Next', and 'Frutiger Next Paneuropean' by Linotype; 'FreeSet' by ParaType; 'Quebec Serial' by SoftMaker; and 'Adora Normal PRO' by preussTYPE (names referenced only for comparison).
Keywords: ui text, product design, editorial, signage, presentations, clean, modern, neutral, friendly, minimal, clarity, versatility, approachability, modernity, monoline, open apertures, rounded terminals, geometric, even rhythm.
A clean, monoline sans with gently rounded curves and restrained, geometric construction. Strokes keep a consistent thickness with smooth joins and mostly rounded terminals, giving the forms a soft, polished edge rather than a sharp technical feel. Capitals are straightforward and open, while lowercase letters show simple, highly legible shapes with single-storey forms where expected and generous counters; the overall spacing and rhythm read even and uncluttered in text. Numerals follow the same plainspoken geometry, with rounded figures and clear differentiation between similar shapes.
It performs well in digital UI and product copy where a steady, unobtrusive texture supports scanning and long-form reading. The straightforward shapes and open counters also suit wayfinding, labeling, dashboards, and clean editorial layouts, as well as contemporary brand systems that need a neutral sans for headings and body text.
The tone is modern and calm, projecting a neutral clarity with a mild friendliness from the rounded terminals and open forms. It feels contemporary and service-oriented rather than expressive or decorative, suited to interfaces and everyday brand communication.
The design appears intended as a general-purpose, modern sans that prioritizes clarity and consistency across sizes. Its rounded, geometric detailing suggests an aim to feel approachable while remaining professional and unobtrusive in continuous text.
Round letters (like C, O, Q) lean toward true circular geometry, while diagonals (V, W, Y) keep a crisp, consistent angle that maintains a tidy texture. The design avoids quirky details, relying on proportion and spacing to create a smooth, readable color across lines of text.