Sans Superellipse Ugmov 12 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Panton' and 'Uni Neue' by Fontfabric, 'Lintel' by The Northern Block, and 'Anteb' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, retro, friendly, punchy, energetic, impact, motion, approachability, headline strength, brand presence, rounded, chunky, oblique, compact, soft-cornered.
A heavy, oblique sans with rounded-rectangle construction and softened corners throughout. Strokes stay broadly uniform with minimal modulation, producing a dense, dark texture and strong silhouette. Curves are squat and superelliptical, with wide bowls and tight apertures in several forms, while diagonals and terminals keep a clean, unbracketed finish. The overall rhythm is compact and forward-leaning, balancing sturdy geometry with smooth rounding for high impact at display sizes.
This font performs best in short to medium display settings such as headlines, logos, labels, and promotional graphics where a strong, compact oblique can create momentum. It also suits athletic or casual branding and packaging that benefits from rounded, high-impact letterforms. For extended reading, the dense weight and tight openings may be better reserved for larger sizes and higher-contrast layouts.
The tone is bold and upbeat, with a sporty, poster-like voice that reads as modern-retro rather than formal. Its rounded massing feels approachable and friendly, while the strong slant adds motion and urgency, making it well suited to attention-grabbing messaging.
The design appears intended to deliver a bold, energetic oblique sans with rounded, superelliptical geometry—prioritizing immediacy, friendliness, and a strong graphic footprint. It aims for consistent stroke weight and cohesive shapes across letters and numerals to maintain a solid, unified texture in display typography.
Uppercase forms appear built for punchy headlines, while the lowercase maintains the same chunky logic with simple, closed shapes. Numerals match the letterforms’ rounded geometry and weight, keeping a consistent, cohesive color in mixed alphanumeric settings.