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Free for Commercial Use

Sans Faceted Abgad 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Mika Sans' by Ghozai Studio, 'Pierce Jameson' by Grezline Studio, 'British Vehicle JNL' by Jeff Levine, and 'Octin College' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, logotypes, sports branding, packaging, industrial, techno, assertive, futuristic, game-like, impact, modernity, ruggedness, tech tone, angular, faceted, blocky, compact, squared-off.


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A heavy, all-caps-friendly sans built from squared silhouettes and crisp planar cuts that replace most curves with chamfered corners. Strokes are consistently thick with minimal modulation, producing dense counters and a compact internal rhythm. Many joins and terminals end in hard horizontal/vertical edges, while diagonals (notably in A, K, V, W, X, Y) are handled with straight, geometric facets. The lowercase mirrors the uppercase’s rigid construction, with simple, rectilinear bowls and short, sturdy arms; numerals follow the same beveled, cut-corner logic for a uniform color in text.

Best suited to bold display work such as headlines, posters, title cards, and branding where a rugged geometric voice is desired. It can also support short UI labels, badges, and product/packaging callouts when strong visual impact and a technical, fabricated aesthetic are priorities.

The overall tone is tough and mechanical, with a distinctly engineered feel. Its faceted geometry reads contemporary and digital, suggesting interfaces, machinery labeling, and arcade or sci‑fi atmospheres rather than warmth or delicacy.

This design appears intended to deliver maximum impact through dense, modular letterforms and a consistent chamfered construction, creating a futuristic-industrial flavor while remaining legible in large sizes.

The face forms a strong, continuous texture at display sizes, with character shapes that prioritize silhouette clarity over generous apertures. The squared curves and chamfers create a distinctive “milled” look that stays consistent across letters and figures.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸