Serif Normal Onna 14 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, book covers, editorial, posters, mastheads, authoritative, traditional, scholarly, formal, classic tone, strong presence, editorial voice, print tradition, display emphasis, bracketed, oldstyle, robust, compact, calligraphic.
This serif presents sturdy, compact letterforms with clearly bracketed serifs and pronounced contrast between thick stems and finer hairlines. The strokes show a subtly calligraphic modulation that helps round letters feel full and weighty, while maintaining crisp terminals and a controlled, upright rhythm. Counters are moderately tight and the overall color is dark and even, producing strong typographic presence in both capitals and lowercase. Numerals and punctuation match the same confident, slightly condensed proportions and serif treatment for consistent texture in text.
Well-suited to headlines and display settings where a classic serif voice and strong contrast can carry authority—such as magazine mastheads, book covers, and poster titles. It can also work for short editorial passages, pull quotes, and section headings where a darker, more emphatic typographic color is desired.
The tone is traditional and authoritative, evoking classic book typography and established editorial design. Its bold, high-contrast presence feels confident and slightly formal, lending a serious, institutional voice to headlines and emphasized passages. Overall it reads as dependable and conventional, with a hint of old-world refinement.
The font appears designed to deliver a conventional, classic serif impression with elevated contrast and robust weight, prioritizing presence and readability in prominent text. Its compact proportions and bracketed serifs suggest an intent to echo traditional printing forms while remaining straightforward and versatile for modern editorial layouts.
The design favors dense text color and compact spacing, which enhances impact but can feel heavy at larger blocks if set too tight. The italic is not shown; the visible style emphasizes upright clarity, strong serifs, and a steady baseline with minimal eccentricity.