Sans Superellipse Abgul 28 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FS Industrie' by Fontsmith, 'Intensiva' by Graviton, 'Mazot' by Hurufatfont, 'Core Gothic D' and 'Core Sans D' by S-Core, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: ui design, branding, wayfinding, editorial, packaging, modern, clean, neutral, technical, friendly, versatility, clarity, contemporary tone, systematic geometry, approachability, geometric, rounded, monoline, open counters, high legibility.
A clean sans with a geometric construction and noticeably rounded, superellipse-like curves in letters such as C, O, and G. Strokes are largely monoline with minimal contrast, and terminals are crisp and straight, giving the design a tidy, engineered feel. Proportions are balanced and slightly compact, with generous apertures in forms like e, c, and s that support clarity at text sizes. The lowercase shows straightforward, utilitarian shapes (single-storey a and g) and simple punctuation-like dots on i/j, while numerals are similarly geometric and steady in rhythm.
Works well for user interfaces, dashboards, and product experiences where clarity and a calm, contemporary voice are needed. The even stroke weight and open counters also make it suitable for editorial text, labels, and packaging, while the geometric caps can serve effectively in concise headlines and identity systems.
The overall tone is modern and neutral with a subtle friendliness from the rounded bowls and soft corners. It reads as dependable and contemporary rather than expressive, with a mild tech/utility character suitable for interfaces and informational typography.
The design appears intended as a versatile, general-purpose sans that balances strict geometry with softened, superellipse-inspired curves to stay readable and approachable. Its restrained detailing and consistent rhythm suggest a focus on broad usability across both display and text contexts.
Round forms are built from rounded-rectangle geometry rather than perfect circles, which creates a consistent, slightly squared-off softness across the family. Diagonals in A, K, V, W, X, and Y are clean and stable, and the caps maintain even spacing and a consistent visual weight across the alphabet.