Sans Superellipse Onbam 12 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Mercurial' by Grype, 'Dalle' by Stawix, 'Anodina' by Stefano Giliberti, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, clean, tech, confident, clarity, impact, modernity, approachability, systematic, rounded, geometric, compact, blocky, open.
A heavy, geometric sans with rounded-rectangle construction and consistently blunt terminals. Curves are drawn as smooth superellipse-like arcs, giving bowls and counters a squared-off roundness rather than pure circles. Strokes maintain an even thickness, with compact interior spaces in letters like a, e, and s, and generous, open shapes in C, G, and S. Caps are broad and stable with straightforward diagonals (A, V, W, X) and a uniform, engineered rhythm; lowercase is compact with a single-storey a and g, a short-armed r, and a squared-shoulder n/m. Numerals follow the same rounded-rect geometry, with a clean, modern 0 and sturdy, low-contrast forms throughout.
This font is well suited to headlines, brand marks, and promotional typography where a strong, modern sans presence is needed. It also fits UI labels, app headers, and wayfinding/signage thanks to its clear, simplified forms and rounded corners that reproduce cleanly. For longer text, it works best at comfortable sizes where the compact counters remain distinct.
The overall tone is contemporary and approachable, combining a solid, high-impact presence with softened corners that keep it from feeling harsh. Its squared-round geometry reads as tech-forward and functional, while the rounded forms add friendliness and a slightly playful warmth in headlines.
The design appears intended to deliver a contemporary geometric voice with softened, superellipse-based rounding—aiming for strong impact and clarity without sharpness. It prioritizes uniformity, sturdy letterforms, and an engineered rhythm that feels at home in modern digital and product contexts.
The design leans on horizontal and vertical emphasis with minimal modulation, producing crisp silhouettes and strong word shapes at larger sizes. Counters are relatively tight in the boldest joins, which increases visual density and makes the face feel compact and efficient.