Sans Superellipse Abkuv 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Jano Round' and 'Jano Sans Pro' by Craceltype, 'Carnas' by Hoftype, 'Nusara' by Locomotype, 'Bjorn' by Monotype, and 'Core Gothic M' and 'Core Sans M' by S-Core (names referenced only for comparison).
Keywords: ui design, product design, wayfinding, branding, dashboards, clean, modern, friendly, neutral, techy, clarity, approachability, modernity, systematic design, versatility, rounded corners, soft geometry, open counters, monoline, even rhythm.
This sans serif uses softly squared, superellipse-like geometry with rounded corners and smooth curves. Strokes are monoline and even, with gentle terminal treatment and broadly open apertures that keep the forms clear. Capitals are simple and balanced, while the lowercase shows a tidy, contemporary construction with single-storey a and g, a straightforward ear on g, and a compact, readable e. The overall spacing and rhythm feel steady and uncluttered, with numerals that match the same rounded-rectilinear logic and maintain consistent color across a line of text.
It will perform well in UI and product contexts, especially where a gentle geometric sans is needed for labels, navigation, and system text. Its open counters and consistent stroke make it suitable for dashboards, signage-style headings, and contemporary branding that aims for clarity without feeling harsh.
The tone is contemporary and approachable, combining a clean, utilitarian clarity with a soft, friendly edge from the rounded geometry. It reads as quietly technical rather than expressive, suitable for interfaces and modern brand systems where neutrality is a plus.
The design appears intended to deliver a modern, versatile sans with softened geometry—combining the efficiency of a technical grotesk with rounded, superellipse-driven shapes for a more welcoming presence. It prioritizes legibility and consistency across letters and numerals while maintaining a distinctive, subtly squared roundness.
Round forms like O and Q lean toward a squarish oval, reinforcing the superellipse theme. Diagonals (V, W, X, y) stay crisp without sharp, aggressive joins, and punctuation and dots appear simple and functional, supporting a no-nonsense text voice.