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Free for Commercial Use

Stencil Gelu 4 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton and 'Evanston Tavern' by Kimmy Design (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, wayfinding, industrial, sci-fi, tactical, techno, mechanical, stencil aesthetic, tech branding, industrial labeling, futuristic display, impactful titles, squared, geometric, modular, angular, rounded corners.


Free for commercial use
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A geometric stencil sans with squared proportions, rounded outer corners, and consistent monoline stroke weight. Letterforms are built from blocky, modular shapes with frequent breaks that create clear stencil bridges, often placed at key joins and counters. Curves are simplified into chamfered or squared arcs, and terminals are mostly flat, producing a crisp, engineered rhythm. The overall texture is dense and high-contrast in silhouette, with counters that stay open and legible despite the segmented construction.

Best suited to short-to-medium display settings where the stencil breaks can be appreciated: headlines, posters, branding marks, product packaging, and signage or wayfinding with an industrial/tech theme. It also works well for UI titles, game/film graphics, and equipment-style labeling where a robust, engineered voice is desired.

The segmented strokes and squared geometry convey a utilitarian, machine-made tone with strong sci‑fi and industrial cues. It reads as technical and tactical—more “equipment labeling” than editorial—while the rounded corners keep the austerity from feeling overly harsh.

The font appears designed to deliver a bold, high-impact stencil look that feels fabricated and modular, balancing industrial practicality with futuristic styling. The consistent bridges and simplified geometry suggest an intention to remain readable at display sizes while projecting a technical, mechanical identity.

The design leans on distinctive cut-ins and separated bars (notably in forms like E/F and several rounded letters), creating a consistent visual motif across uppercase, lowercase, and numerals. Diagonals in letters like A, K, V, W, X, and Y are clean and assertive, reinforcing the mechanical feel. Numerals follow the same stencil logic, with segmented bowls and clear internal breaks for continuity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸