Sans Superellipse Pemuy 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Quiel' by Ardyanatypes, 'Gravitica Compressed' by Ckhans Fonts, 'Contraption' by Pink Broccoli, 'Monopol' by Suitcase Type Foundry, 'Heroic Condensed' by TypeTrust, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, condensed, punchy, assertive, utilitarian, space-saving impact, strong emphasis, signage clarity, retro utility, rounded corners, rectilinear, compact, blocky, high-impact.
A compact, heavy sans with tightly drawn proportions and a distinctly rectilinear skeleton softened by rounded corners. Curves resolve into squarish bowls and superellipse-like shapes, giving counters a rounded-rectangle feel rather than circular geometry. Strokes are largely uniform with minimal modulation, terminals are blunt, and joins stay clean and sturdy. The overall rhythm is dense and vertical, with short apertures and compact internal space that keeps word shapes tight and forceful.
Best suited to headlines, posters, labels, and signage where condensed width and strong color help fit impactful text into limited space. It can also work for bold branding moments and packaging that benefits from a sturdy, industrial voice. For longer passages or small sizes, generous tracking and line spacing can help preserve clarity.
The tone is bold and workmanlike, leaning industrial and no-nonsense. Its condensed, blocky presence reads confident and attention-grabbing, with a slightly retro, signage-oriented flavor driven by the rounded-rectangle forms.
The design appears intended to deliver maximum impact in a compact footprint, using rounded-rectangle construction to keep forms friendly while still firmly utilitarian. It prioritizes solidity and consistent texture, making it a practical display face for emphatic messaging.
The lowercase appears relatively compact with sturdy stems and simple constructions, while numerals share the same squared, rounded-corner logic for a consistent texture. Because counters and apertures are tight, the face tends to form dark, continuous lines in longer settings, emphasizing mass over airiness.