Hollow Other Ufba 11 is a very bold, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, stickers, playful, retro, novelty, bold, punchy, dimensional effect, decorative display, friendly branding, retro styling, outlined, inline, rounded, soft, cartoonish.
A heavy, rounded sans with a distinctive inline/knockout treatment: each glyph carries a small hollow highlight along the top edges and at some terminals, creating a beveled, sticker-like silhouette. Strokes are thick and smoothly contoured, with generous curves in C/O/S and blunt, softened ends on horizontals and verticals. Counters are open and simple, while the internal cutouts read as a consistent decorative layer rather than structural shaping, giving the letters a dimensional feel. Numerals and caps are compact and sturdy, with slightly bouncy proportions that keep the texture lively in lines of text.
Best suited to display work where the inline knockout can read clearly: headlines, posters, product packaging, event graphics, and bold wordmarks. It can also work well for playful labels, kids-oriented materials, or any layout that benefits from a chunky, dimensional emphasis.
The overall tone is cheerful and attention-grabbing, with a nostalgic display sensibility reminiscent of mid-century signage and cartoon title lettering. The inline highlight adds a lighthearted, dimensional cue that feels friendly rather than formal, making the font read as energetic and approachable.
The design appears intended to deliver maximum impact with a built-in highlight effect, offering a ready-made sense of depth and polish without additional styling. Its rounded geometry and consistent decorative cutouts suggest a focus on fun, retro-leaning branding and expressive titling.
In the sample text, the top-edge hollows remain visible at display sizes and create a strong rhythm across a line, especially on rounded forms and tall stems. The decoration can introduce visual sparkle and perceived motion, but it also makes the face feel intentionally stylized rather than neutral for long-form reading.