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Free for Commercial Use

Sans Rounded Mare 2 is a light, very wide, low contrast, upright, normal x-height font visually similar to 'Arian', 'Eurostile Candy', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype and 'Aban', 'Novin', 'Parsi', and 'Parto' by Naghi Naghachian (names referenced only for comparison).

Keywords: ui, app design, tech branding, signage, headlines, futuristic, clean, friendly, techy, airy, modernize, soften geometry, improve approachability, signal technology, rounded, monoline, geometric, soft, open.


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A monoline sans with generously rounded corners and terminals, giving most forms a softly squared, “capsule” geometry rather than strict circles. Curves are smooth and continuous, with minimal stroke modulation and a steady rhythm across the set. Counters are open and fairly large, and many glyphs show gently rectilinear construction (notably in C/G/O/Q and the numerals) that emphasizes a modern, engineered feel. Joins are clean and unornamented, and the overall texture reads light and spacious with clear separation between strokes.

Well suited to user interfaces, dashboards, and product experiences where a clean, friendly modernity is desired. Its spacious forms and rounded terminals also work well for tech-forward branding, packaging, and short headline settings. For signage and wayfinding, the open counters and straightforward construction can help maintain clarity at a distance, especially in larger sizes.

The rounded geometry tempers the technical construction, producing a tone that feels modern and approachable rather than cold. It suggests a contemporary digital environment—interfaces, devices, and forward-looking branding—while staying friendly and easygoing. The wide stance and soft corners contribute to a relaxed, confident voice with a subtle sci‑fi edge.

The font appears designed to blend geometric modernism with a softer, more approachable finish. By using rounded-rectangle construction and monoline strokes, it aims to feel contemporary and engineered, while rounded terminals reduce harshness and improve visual comfort in display and interface contexts.

The design favors softened rectangular bowls and rounded-rectangle counters, which creates a distinct silhouette in letters like G and Q. Uppercase and lowercase share a consistent construction logic, and the numerals echo the same rounded-rectangle theme for a cohesive system feel. Overall spacing in the sample text appears comfortable, supporting a clean line flow.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸