Serif Flared Pema 2 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Copperplate New' by Caron twice, 'Altersan' by Eko Bimantara, 'Brothers' by Emigre, 'Atsanee' by Jipatype, 'Lovato' by Philatype, and 'Chunky Delight' by Wildan Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, editorial, confident, vintage, punchy, friendly, impact, nostalgia, warmth, display, flared, soft serifed, rounded, bulky, compact joins.
A heavy, soft-seriffed display face with pronounced flared terminals and rounded outer contours. The stroke endings swell into wedge-like serifs rather than crisp brackets, giving letters a sculpted, slightly cushiony silhouette. Counters are relatively tight and often more squared than circular, while joins feel compact and sturdy, producing a dense, high-ink rhythm. Uppercase forms read stable and blocky; lowercase maintains a tall, prominent presence with robust bowls, short apertures, and simplified, chunky details. Numerals follow the same bold, rounded construction with strong top-and-bottom emphasis and minimal internal contrast.
Best suited for large-scale typography such as headlines, posters, branding marks, and packaging where its dense blackness and flared details can be appreciated. It can also work for short editorial callouts or subheads, but extended small-size reading may feel heavy due to tight counters and compact apertures.
The font projects a confident, retro-leaning tone—bold and attention-grabbing, but softened by rounded shapes and flared endings. It feels warm and approachable rather than sharp, with a nostalgic, poster-like energy that suits expressive headlines.
The design appears intended to deliver maximum impact with a softened, vintage-tinged serif voice—combining stout proportions and rounded forms with flared stroke endings to add character and warmth in display settings.
In text samples the dense weight and tight counters create strong color and impact, while the flared terminals add texture that keeps large sizes from feeling purely geometric. The overall impression is sturdy and decorative, prioritizing presence over fine detail.