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Free for Commercial Use

Sans Normal Obmoj 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'ED Colusa' by Emyself Design, 'Gilam' by Fontfabric, 'Parson' by Genetype, 'Nusara' by Locomotype, and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, logos, playful, friendly, bouncy, cartoonish, chunky, attention grabbing, approachable, retro fun, handmade feel, display impact, rounded, soft corners, bulbous, uneven rhythm, compact.


Free for commercial use
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A heavy, rounded sans with thick strokes, soft corners, and slightly irregular, hand-cut-like shaping. Curves are generous and often a bit bulbous, while horizontals and diagonals show subtle wobble that creates an animated rhythm across words. Counters are relatively small for the weight, with open apertures kept simple and sturdy, and terminals tending toward blunt, slightly tapered endings rather than crisp cuts. Overall spacing feels compact and energetic, with letters designed to hold their shape at large sizes.

Best suited to display roles where bold, friendly impact matters: headlines, posters, packaging, playful branding, and logo or wordmark exploration. It can also work for short callouts and signage, especially where a warm, approachable voice is desired, but the dense weight and quirky rhythm make it less ideal for long text passages.

The tone is cheerful and approachable, with a quirky, buoyant bounce that reads as informal and fun. Its slightly uneven geometry adds personality and a crafted feel, leaning toward retro cartoon and kid-friendly messaging rather than corporate neutrality.

The design appears intended to deliver a high-impact, approachable display voice by combining very heavy strokes with rounded, slightly irregular letterforms. It prioritizes personality and visual charm over strict geometric uniformity, aiming for attention-grabbing readability with a casual, upbeat character.

Uppercase forms are broad and blocky, while the lowercase keeps a lively, rounded silhouette that emphasizes softness over precision. Numerals match the same chunky, curved construction, making the set feel consistent for headlines and display copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸