Sans Superellipse Uski 3 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Bank Sans EF' by Elsner+Flake and 'Bank Gothic' by GroupType (names referenced only for comparison).
Keywords: headlines, logotypes, posters, branding, packaging, techy, industrial, futuristic, confident, sporty, impact, modernization, tech branding, signage, squarish, rounded, geometric, blocky, compact.
A heavy, geometric sans built from rounded-rectangle and superellipse-like shapes, with corners consistently softened rather than fully circular. Strokes are uniform and dense, with large counters and squared-off curves that give letters a sturdy, engineered feel. Many joins and terminals are clipped or flattened, and diagonals are straight and decisive, producing a crisp, modular rhythm. The lowercase shares the same boxy construction, with single-storey forms and simple, open apertures that stay legible at display sizes.
Best suited to large-scale settings where its chunky geometry and rounded-rectangular construction can be appreciated: headlines, posters, sports and tech branding, packaging, and UI/wayfinding accents. It can work for short bursts of text such as labels or navigation, but its dense, blocky forms are most effective in display applications.
The overall tone is contemporary and technical, suggesting machinery, interfaces, and performance branding. Its squared curves and compact forms communicate strength and control, while the rounded corners keep the voice approachable rather than aggressive. The result feels modern, utilitarian, and slightly sci-fi.
The design appears intended to deliver a robust, modern sans with a distinctive superelliptical silhouette—optimized for impact and quick recognition. By combining squared geometry with softened corners and consistent stroke weight, it aims to balance an industrial, technical personality with clean readability.
Round forms (like O, 0, and D) read as squarish superellipses, creating a cohesive system across letters and numerals. The numerals follow the same blocky geometry, and the punctuation in the sample text maintains the same blunt, engineered character.