Sans Superellipse Usli 6 is a very bold, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, ui display, tech, futuristic, industrial, sporty, gaming, impact, modernity, technical, branding, display strength, geometric, squared, rounded, blocky, compact.
A geometric sans with chunky, squared forms softened by large-radius corners. Strokes are consistently heavy and uniform, with counters and apertures shaped like rounded rectangles, creating a clear superellipse rhythm across curves and straight segments. Terminals are blunt and clean, with frequent horizontal cuts and notches that emphasize a constructed, modular feel. The overall spacing reads solid and compact, while the wide proportions and large internal cutouts keep letters recognizable at display sizes.
Best suited to headlines, titles, and branding where its heavy, geometric presence can lead the layout. It works well for product and tech packaging, esports or entertainment graphics, and interface/display labeling where a sturdy, futuristic voice is desired. In longer text, it is likely to be most effective at larger sizes where the tight, blocky details remain clear.
The design conveys a contemporary, engineered tone—confident, mechanical, and slightly aggressive in its massing. Its rounded-rectangle geometry suggests digital interfaces and hardware aesthetics, giving it a forward-looking, utilitarian energy that feels at home in tech, motorsport, and game-world branding.
The font appears intended to deliver a bold, modern display voice built from rounded-rectangle geometry, prioritizing impact, consistency, and a distinctly technical silhouette. Its constructed cuts and compact rhythm suggest a focus on logo-ready shapes and attention-grabbing titling rather than subtle, text-centric nuance.
Diagonal forms (notably in V, W, X, Y, and Z) appear as bold wedges with sharply defined joins, reinforcing the angular, fabricated character. Round letters like O and Q resolve into squarish ovals with generous corner rounding, and the numerals echo the same cut-and-chamfer logic for strong stylistic consistency.