Hollow Other Upzi 3 is a very bold, wide, high contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, album art, packaging, chaotic, edgy, playful, handmade, punk, expressiveness, texture, attention, thematic display, handcrafted feel, angular, jagged, irregular, cutout, chunky.
A heavy, blocky display face built from irregular, slab-like silhouettes with sharply notched, crown-like tops and slightly tapering sides. Letterforms are defined by bold outer masses paired with small, inset counters and punched-through cutouts that read like white stencil marks inside black tiles. Widths and internal openings vary noticeably from glyph to glyph, creating a restless rhythm; corners are crisp and angular, while interior shapes feel carved and inconsistent by design. The overall texture is dense and dark at text sizes, with readability coming primarily from distinctive outer profiles and the high-contrast knockout details.
Best suited for short, attention-grabbing settings such as posters, headlines, logos, and energetic branding where texture and attitude matter more than long-form legibility. It can also work well for album art, event graphics, packaging, and themed titles where the spiky silhouette and hollowed details can be appreciated at larger sizes.
The font conveys a loud, mischievous energy—part punk zine, part Halloween or monster-comic signage. Its jagged crowns and hollowed interiors give it a rebellious, handmade attitude that feels more expressive than refined, leaning into surprise and visual noise rather than smooth continuity.
The design appears intended as an expressive display font that combines solid, emblem-like outer shapes with irregular internal knockouts to create a distinctive, carved look. Its variable widths and intentionally inconsistent details suggest a goal of building character and motion across a line of type, prioritizing visual impact and texture over uniformity.
In continuous text, the repeated spiky top motif forms a strong horizontal sawtooth band, producing a pronounced patterning effect. Counters and cutouts are relatively small compared to the outer mass, so the face performs best when set large or with generous spacing to keep internal details from filling in.