Sans Normal Arban 18 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Kometa' by Kiril Zlatkov Type Foundry, and 'Gogh' by Type Forward (names referenced only for comparison).
Keywords: ui text, web content, editorial, signage, presentations, clean, neutral, modern, approachable, functional, versatility, legibility, contemporary tone, clarity, open apertures, rounded terminals, humanist touch, low contrast, even rhythm.
This typeface presents a clean sans-serif construction with low contrast strokes and softly rounded curves. Capitals are broad and steady, with simple geometric skeletons and smooth joins; round letters (C, O, G, Q) read as near-circular with open, generous counters. The lowercase is straightforward and readable, with a single-storey “a” and “g,” open apertures, and uncomplicated bowls that keep interior space clear. Numerals follow the same calm rhythm, mixing circular forms (0, 8, 9) with crisp straight strokes (1, 4, 7) and consistent curves.
It performs well for UI and web typography where a steady, unobtrusive texture is needed, and it also suits editorial headlines and short paragraphs thanks to its open counters and calm rhythm. The wide capitals and clear numerals make it appropriate for signage, presentations, and product labeling where quick recognition matters.
The overall tone is modern and neutral, aiming for clarity rather than personality-driven eccentricity. Its softened curves and open shapes give it an approachable, contemporary feel suited to everyday interface and brand use without calling attention to itself.
The design appears intended as a versatile, general-purpose sans that prioritizes clarity, consistent rhythm, and contemporary neutrality. Its rounded geometry and simplified lowercase suggest a focus on friendly legibility across display and text settings.
Spacing appears comfortably open in the sample text, supporting legibility at larger paragraph sizes. The design balances geometric roundness with subtle humanist cues in letters like “t,” “y,” and “k,” keeping the texture even and non-mechanical.