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Free for Commercial Use

Sans Normal Edrem 2 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'Giane Gothic sans' by XdCreative (names referenced only for comparison).

Keywords: ui labels, captions, signage, editorial sidebars, presentations, modern, clean, technical, forward-leaning, efficient, space efficiency, neutral emphasis, modern clarity, system typography, oblique, monolinear, compact, open apertures, rounded terminals.


Free for commercial use
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This typeface is a compact oblique sans with a monolinear feel and smooth, rounded curves. Letterforms are relatively narrow with tight, efficient proportions and a steady rightward slant. Strokes maintain consistent thickness across curves and straights, with clean joins and minimally expressive terminals. Counters are generally open and simplified, giving the forms a crisp, contemporary rhythm, while the numerals follow the same streamlined, slightly condensed construction.

It works well for compact UI labels, navigation, and short-form text where space is limited but clarity is still important. The oblique posture also makes it useful for emphasis in dashboards, captions, and editorial sidebars, and it can serve headings in modern branding or presentation systems that want a streamlined, technical voice.

The overall tone is contemporary and utilitarian, with a forward-leaning motion that reads as active and progressive. Its restraint and evenness suggest clarity and practicality rather than warmth or ornament, making it feel suited to modern interfaces and information-heavy settings.

The design appears intended to provide a space-efficient oblique sans that remains neutral and readable while adding subtle motion. Its consistent stroke behavior and simplified geometry suggest an emphasis on functional clarity for contemporary digital and print communication.

The slant is consistent across uppercase, lowercase, and figures, and the design favors straightforward geometry over calligraphic modulation. Round letters stay smooth and stable, while diagonals and verticals keep a clean, engineered appearance; punctuation in the sample text appears unobtrusive and aligned with the same minimal approach.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸