Slab Square Vepy 3 is a light, normal width, monoline, upright, normal x-height font.
Keywords: body text, editorial, typewriter styling, technical documentation, packaging, typewriter, utilitarian, technical, retro, workmanlike, readability, mechanical tone, typewriter homage, editorial utility, slab-serif, square-ended, octagonal rounds, high contrast corners, crisp.
This typeface features sturdy slab serifs with square-cut terminals and largely even stroke weight. Curved letters resolve into subtly faceted, octagonal-like contours (notably in C, G, O, Q, and numerals), giving rounds a mechanical, built-from-straights feel. The lowercase shows a compact, readable structure with a single-storey g, a relatively simple a, and clear, open counters; the rhythm is steady and texty rather than display-oriented. Overall proportions feel classic and moderately condensed in impression, with crisp joins and minimal calligraphic modulation.
It performs well in continuous reading for editorial layouts, books, and long-form text where a firm slab-serif voice is desired. The squared terminals and faceted rounds also suit technical documentation, labels, and packaging that benefit from a utilitarian, vintage-leaning tone. At larger sizes, it can be used for headlines or pull quotes when an engineered, typewritten aesthetic is the goal.
The tone reads practical and no-nonsense, with a distinctly retro, typewriter-adjacent flavor. Its faceted curves and square terminals add a technical, engineered character that feels archival, editorial, and a bit industrial.
The design appears intended to blend robust slab-serifs with a disciplined, mechanical construction, emphasizing clarity and consistent texture in text. The faceted treatment of curves suggests a deliberate nod to typewriter or engraved/stamped letterforms, aiming for a practical, vintage-industrial personality.
The caps have assertive serifs and a slightly rigid geometry, while the lowercase and figures maintain a consistent, disciplined texture in paragraph settings. The faceting in round forms becomes more noticeable at larger sizes, where it contributes a deliberate, stamped or machined look.