Sans Superellipse Humil 14 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'MC Goshco' by Maulana Creative and 'Cebreja Extra' by Rafaeiro Typeiro (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, punchy, retro, playful, stout, friendly, impact, retro display, friendly branding, poster voice, signage clarity, blocky, rounded, compact, soft corners, high impact.
A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Curves resolve into broad, superellipse-like bowls, while terminals are clean and blunt, producing a dense, poster-ready texture. Counters are small but consistent, and the overall rhythm is steady and tightly packed, with slightly irregular widths across letters adding a lively, handmade-meets-industrial feel. Numerals and caps share the same stout proportions, with broad curves on 0/8/9 and firmly cut joins that keep shapes crisp at display sizes.
Best suited to short, high-impact settings such as headlines, posters, storefront-style signage, packaging callouts, and logo wordmarks where its compact mass and rounded forms can read as intentional and distinctive. It can also work for large-format captions or section headers when you want a friendly, retro punch rather than a neutral text texture.
The tone is bold and cheerful with a distinctly retro, sign-and-poster sensibility. Its chunky silhouettes and soft corners feel approachable and fun, while the tight, weighty presence adds confidence and immediacy.
The design appears intended to deliver maximum visual impact through dense stroke mass and rounded-rect geometry, aiming for a nostalgic display voice that remains clean and contemporary. The slight width irregularities and sculpted curves suggest an emphasis on character and memorability over quiet, continuous text reading.
In longer lines the dark color builds quickly, creating a strong headline voice but reducing fine differentiation in smaller sizes. Round letters like O/Q and the double-v forms (V/W) carry especially prominent, sculpted curves that reinforce the font’s rounded-rectangle motif.