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Free for Commercial Use

Solid Leny 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fattty' by Drawwwn, 'Mr Dum Dum' by Hipopotam Studio, 'Galpon Pro' by RodrigoTypo, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: headlines, posters, packaging, stickers, kids branding, playful, chunky, bouncy, quirky, cartoonish, attention grab, playfulness, silhouette impact, quirky branding, rounded, blobby, puffy, bulbous, soft-cornered.


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A heavy, rounded display face built from inflated, blobby shapes with soft corners and mostly closed counters. Strokes are thick and even, with subtle wobble in curves and irregular joins that create a hand-formed, organic feel. Letterforms are compact and blocky with a tall x-height; many characters rely on notches and shallow indentations rather than open interior spaces, producing dense silhouettes and strong spot color. Curved letters (C, G, O, S) read as smooth, swollen forms, while diagonals (V, W, X, Y) are rendered as broad wedges with softened terminals.

Best suited to short, high-impact display settings such as headlines, posters, product packaging, and playful branding where a dense black silhouette is desirable. It can also work for logos, stickers, and social graphics, especially where a fun, chunky texture helps the message stand out.

The overall tone is playful and bold, with a friendly, toy-like presence that feels intentionally imperfect and exuberant. Its puffy shapes and closed forms give it a humorous, attention-grabbing character reminiscent of cartoons, stickers, and candy-like branding.

This font appears designed to maximize visual impact through soft, swollen geometry and minimal interior openings, creating a solid, stamp-like silhouette. The intention seems to be a quirky, approachable display voice that reads quickly at large sizes while delivering a distinctive, cartoonish personality.

Because many counters are minimized or sealed, legibility drops as size decreases and in longer passages; the design performs best when given space and set large. The numerals follow the same inflated geometry, with simple, high-impact silhouettes that prioritize visual weight over interior detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸