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Solid Ogbo 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Hadney Buddy' by Arterfak Project, 'Mr Dum Dum' by Hipopotam Studio, 'Galpon Pro' by RodrigoTypo, 'SG Larchett' by Studio Gulden, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, kids media, playful, chunky, cartoon, goofy, bubbly, attention grab, childlike, humor, big impact, quirky display, rounded, blobby, soft, irregular, compact.


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A heavy, rounded display face built from swollen, blobby silhouettes with softened corners and uneven contouring. Strokes behave like pooled ink or inflated shapes, producing lumpy terminals, slightly unpredictable joins, and a wavy overall rhythm. Many counters are reduced to shallow notches or nearly closed, and interior detail is intentionally minimized, emphasizing mass over clarity. Spacing appears tight and the texture reads as a dense, continuous band of black, especially in multi-word settings.

Best suited for short, high-impact text such as posters, splash screens, product packaging, stickers, event graphics, and playful headlines. It performs well when used large, where the squishy contours and irregular rhythm become a feature rather than a legibility constraint. For longer copy or small UI text, it will tend to darken and blur together, so it’s most effective as an accent display style.

The font conveys a humorous, kid-friendly energy with a toy-like, squishy feel. Its irregular edges and overfilled forms suggest spontaneity and mischief rather than precision, making it feel informal and attention-grabbing. The overall tone leans toward cartoon titles, novelty signage, and playful branding moments.

The design appears intended to deliver maximum visual weight with a deliberately overfilled, hand-molded look. By collapsing interior space and emphasizing soft, rounded mass, it aims for instant recognition and a bold, comedic personality in display contexts.

Character shapes are strongly simplified, and several letters rely on distinctive outer silhouettes rather than clear internal structure, which increases personality but reduces small-size legibility. Numerals and capitals match the same inflated logic, keeping a consistent, chunky voice across the set. In longer lines, the heavy blackness can cause word shapes to merge, so generous size and careful tracking help preserve readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸