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Sans Faceted Etma 3 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Morgan Poster' by Feliciano, 'First Prize' by Letterhead Studio-VG, and 'RBNo2.1' by René Bieder (names referenced only for comparison).

Keywords: sports branding, posters, headlines, gaming ui, event promos, athletic, industrial, aggressive, retro, tactical, impact, speed, compactness, ruggedness, modernized retro, angular, condensed, slanted, blocky, faceted.


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A condensed, forward-slanted display sans built from sharp planar cuts rather than smooth curves. Strokes are heavy and largely uniform, with chamfered corners, notched joins, and squared terminals that create a crisp, mechanical silhouette. Counters are compact and geometric, and the overall rhythm is vertical and tight, with many forms leaning into a streamlined, speed-oriented stance. Numerals and capitals share the same hard-edged construction, keeping color and texture consistent across mixed settings.

Best suited for short, high-impact settings such as sports identities, team apparel marks, posters, and promotional headlines where the angular construction can be a central graphic element. It can also work for gaming or entertainment interfaces (e.g., scoreboards, menus, overlays) where a compact, forceful voice is needed, rather than for extended body text.

The faceted geometry and strong slant convey speed, impact, and a rugged, no-nonsense attitude. It reads as sporty and assertive, with a slightly retro arcade/scoreboard flavor, while the angular cuts add a tactical, engineered feel.

The font appears designed to deliver maximum visual punch in a compact footprint, using consistent faceted cuts to replace curves and add a distinctive, engineered texture. The slanted stance and tight proportions emphasize motion and urgency, aiming for bold, attention-grabbing display typography.

The design relies on repeated diagonal facets at corners and joins, producing a distinctive “cut metal” look. In longer lines the dense letterforms generate a dark, emphatic typographic color, and the narrow proportions help fit punchy headlines into limited horizontal space.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸