Sans Superellipse Jiliw 12 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, logotypes, posters, gaming ui, product labels, techy, industrial, retro, arcade, futuristic, impact, tech styling, interface feel, branding, rounded, squared, blocky, compact, geometric.
A heavy, geometric sans with rounded-rectangle construction throughout. Strokes maintain a consistent thickness, with corners and terminals softened into broad radii that create a superelliptic, capsule-like silhouette. Counters are predominantly rectangular with rounded corners, giving letters like O, D, P, and R a tight, engineered feel. The lowercase is compact and sturdy, with single-storey a and g, a squared, open-bowl e, and a minimal i/j treatment with small round dots. Overall spacing reads even and dense, and the design emphasizes flat horizontals, squared shoulders, and controlled apertures for a cohesive, modular rhythm.
Best suited to display roles where its dense, geometric texture can read as intentional—headlines, branding marks, posters, packaging callouts, and tech or gaming interface typography. It can also work for short labels and navigation elements where a sturdy, high-impact voice is needed.
The font projects a bold, mechanical confidence with a distinctly tech-forward, retro-digital tone. Its rounded-square geometry evokes arcade titles, sci-fi interfaces, and industrial labeling, balancing friendliness from the softened corners with a strong, utilitarian presence.
The design appears intended to deliver maximum impact with a cohesive rounded-rectangular system, producing a contemporary techno look with retro arcade undertones. By keeping stroke weight consistent and counters squared, it aims for a clean, manufacturable aesthetic that holds together strongly in bold display settings.
Diagonal forms (notably in K, V, W, X, Y, Z and numerals like 2 and 7) are simplified into chunky, angular cuts that match the squared logic of the curves. The Q has a pronounced tail detail, and several glyphs favor compact apertures, reinforcing a tight, signage-like texture at display sizes.