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Free for Commercial Use

Sans Superellipse Gunay 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Protrakt Variable' by Arkitype, 'Geogrotesque Sharp' by Emtype Foundry, 'B52' by Komet & Flicker, 'Hype vol 2' by Positype, and 'Bockhold' by Stereo Type Haus (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, industrial, athletic, confident, contemporary, utilitarian, impact, modernization, robustness, clarity, branding focus, blocky, rounded corners, compact, sturdy, high impact.


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A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Strokes are monolinear and firm, with broad curves that resolve into flat-ish terminals, giving counters and bowls a superelliptical feel. Proportions are compact and efficient, with squared-off shoulders and sturdy verticals; apertures tend to be fairly closed, reinforcing a dense, poster-friendly texture. Numerals and capitals read as solid and engineered, while the lowercase keeps the same blunt, rounded geometry for a consistent rhythm.

Best suited to headlines, short text, and large-scale applications where its compact, heavy forms can deliver impact—such as posters, branding and wordmarks, packaging, and wayfinding/signage. It can also work for UI labels or badges where a sturdy, modern geometric tone is desired, provided spacing and size are chosen to maintain clarity.

The overall tone is strong and no-nonsense, projecting a sporty, industrial confidence. Its rounded corners keep the voice friendly enough for contemporary branding, but the dense, blocky silhouettes maintain an assertive, workmanlike presence.

The design appears intended to combine a contemporary geometric sans framework with rounded-rectangle forms for a tough-but-approachable voice. It prioritizes bold presence, consistent geometry, and strong silhouette recognition for display-forward typography.

Round elements (like O/Q/0/8) emphasize squarish curves rather than perfect circles, creating a distinctive, modular look. The punctuation and dots are bold and prominent at text sizes, supporting high-contrast signage-style layouts even in busy compositions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸