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Free for Commercial Use

Sans Normal Bibed 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Frutiger', 'Neue Frutiger Arabic', 'Neue Frutiger Cyrillic', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', 'Neue Frutiger Paneuropean', 'Neue Frutiger Thai', and 'Neue Frutiger Vietnamese' by Linotype and 'Neue Frutiger World' by Monotype (names referenced only for comparison).

Keywords: ui text, brand systems, signage, presentations, packaging, clean, neutral, modern, friendly, functional, clarity, versatility, system design, legibility, modernity, geometric, monoline, open counters, crisp, minimal.


Free for commercial use
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This is a monoline sans with smooth, geometric construction and broadly rounded bowls paired with straight, clean terminals. Curves are close to circular, counters are open, and joins stay simple, giving the alphabet a consistent, even rhythm. Uppercase forms read stable and straightforward, while the lowercase uses single-storey shapes where expected, keeping the overall texture uncluttered and highly legible. Numerals follow the same plainspoken geometry, with clear differentiation and sturdy verticals.

It performs well for interface typography, product and corporate systems, and general-purpose editorial settings where a calm, readable sans is needed. The straightforward shapes and open counters also make it a solid choice for wayfinding, labels, and headings that must stay clear at a distance or in dense layouts.

The overall tone is neutral and contemporary, with a friendly approachability that comes from its rounded geometry and lack of sharp calligraphic tension. It feels practical and matter-of-fact rather than expressive, suited to communication-focused design where clarity is the main message.

The design appears intended as a dependable, all-purpose geometric sans that prioritizes clarity and consistency over stylistic flourish. Its restrained detailing suggests it was drawn to integrate easily into modern layouts and brand systems without calling attention to itself.

Spacing appears balanced with a steady color in the sample text, and the glyph set maintains consistent stroke behavior across curves and straight segments. The design avoids decorative quirks, relying on clean proportions and simple shapes to carry readability at both display and text sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸