Sans Superellipse Ibrin 8 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Double Back' by Comicraft, 'EFCO Colburn' by Ilham Herry, 'Hyperspace Race' and 'Hyperspace Race Capsule' by Swell Type, and 'CFB1 American Patriot' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, industrial, punchy, retro, technical, impact, visibility, logo-ready, rugged, modernize, blocky, rounded, compact, stencil-like, squared.
A heavy, squared sans with superelliptical rounding that keeps corners soft while preserving a strongly rectangular silhouette. Strokes are uniform and dense, with tight internal counters and aperture shapes that read as rounded rectangles. Terminals are mostly flat and blunt, and several joins show small notches or cut-ins that create a mildly stencil-like, engineered feel. The lowercase is compact and sturdy with minimal modulation, and the numerals follow the same rounded-square construction for a consistent, logo-ready texture.
Best suited to short, high-impact settings such as headlines, posters, branding marks, sports and team graphics, and packaging where bold shapes need to hold up at a distance. It can also work for UI labels or wayfinding when used at larger sizes with generous tracking to relieve its compact interior spacing.
The tone is bold and assertive, combining a retro athletic flavor with a pragmatic, industrial confidence. Its rounded-square geometry feels modern and utilitarian, while the cut-in details add a tough, mechanical edge that reads as energetic rather than elegant.
The design appears intended to deliver maximum impact through dense strokes and rounded-square forms, balancing friendliness from softened corners with toughness from blunt terminals and cut-in joints. It prioritizes strong silhouette recognition and consistent geometry for memorable display typography.
Spacing appears intentionally tight for a dense, impactful line color, especially in the sample text where counters and gaps stay compact. The overall rhythm is driven by repeating rounded-rectangle bowls and squared shoulders, producing a cohesive, sign-like presence at display sizes.