Sans Superellipse Ogmef 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Protrakt Variable' by Arkitype, 'Factory' by Brainware Graphic, 'Military Jr34' by Casloop Studio, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, ui labels, posters, gaming, branding, tech, futuristic, industrial, utilitarian, digital aesthetic, modular system, strong impact, systematic geometry, brand voice, squared, rounded corners, stencil-like, compact, geometric.
A geometric sans built from squared, rounded-rectangle forms with consistent stroke thickness and softened corners. Curves are minimized in favor of superelliptic bowls and squared counters, giving letters a blocky, engineered silhouette. Apertures tend to be tight and terminals are flat, producing a compact rhythm; diagonals (as in A, K, V, W, X, Y) are crisp and straight, while round letters (O, Q, 0) read as squarish loops. Lowercase maintains the same constructed feel with simplified shapes and short extenders, and numerals follow the same squared geometry for strong visual continuity.
Best suited to display roles where its squared geometry can define a strong visual identity—headlines, product branding, tech-themed posters, esports or gaming graphics, and interface labels or HUD-style overlays. It can also work for short blocks of text in digital contexts where a structured, engineered tone is desired.
The overall tone feels modern and technical, with a sci‑fi signage flavor that suggests machinery, interfaces, and synthetic environments. Its sturdy, constructed forms lean toward a confident, no-nonsense voice that reads as digital-first and performance-oriented.
The font appears designed to translate rounded-rectangle geometry into an all-purpose sans that feels contemporary and digital. Its simplified, compact letterforms prioritize a consistent modular system and a distinctive, futuristic texture across caps, lowercase, and numerals.
The design’s rounded-square motif is especially apparent in closed forms like B, D, O, P, and 8, where counters resemble inset rectangles rather than true ovals. Several letters use abbreviated curves and angular joins, creating a slightly modular, stencil-adjacent impression without obvious breaks. The punctuation in the sample text blends in cleanly and keeps the same blunt, squared logic.