Sans Superellipse Olmat 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Basketball' by Evo Studio, 'Vintage Varsity' by Grant Beaudry, 'Metalform Gothic JNL' by Jeff Levine, 'Fremont Coffee' by Komet & Flicker, and 'New York Line' by Kustomtype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, techy, assertive, utilitarian, sporty, space saving, high impact, modern utility, systematic geometry, rounded corners, boxy, condensed, stencil-like, geometric.
A heavy, condensed sans built from rounded-rectangle geometry, with squared counters and softened corners throughout. Strokes are consistently thick and even, producing a compact, high-ink texture; apertures are tight and terminals tend to end flat with slight rounding. Many curves resolve into superellipse-like bowls rather than true circles, and several joins create a subtly modular, cut-in feel (notably in letters like S and Z). Numerals and caps share the same squared, engineered rhythm, giving the set a cohesive, signage-like presence.
Best suited to short, high-impact settings such as headlines, posters, logos, and product or packaging graphics where dense, bold letterforms help carry the message. It also fits UI titles, game HUD styling, labels, and signage where a compact, engineered look is desired.
The overall tone is tough and functional, with a contemporary, machine-made character. Its compact width and blocky rounding read as sporty and technical, suggesting equipment labeling, gaming interfaces, or industrial branding rather than literary warmth.
The font appears designed to deliver maximum impact in limited horizontal space while maintaining a consistent, industrial-geometric voice. Its rounded-rectangle construction and clipped details suggest an intention to feel modern, sturdy, and systematized for branding and display use.
The design emphasizes clear, rigid silhouettes and strong verticals, with minimal stroke modulation and a deliberately tight interior space. The rounded corners keep the mass from feeling harsh, while the squared bowls and clipped details add a distinctive, slightly stencil-adjacent edge.