Sans Faceted Orma 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, ui labels, game titles, techno, futuristic, industrial, arcade, mechanical, sci‑fi styling, digital voice, geometric system, display impact, octagonal, chamfered, angular, geometric, modular.
A sharply angular sans built from straight strokes and consistent line weight, with corners cut into chamfered facets that imply octagonal curves. Bowls and rounds resolve into planar edges, creating crisp internal counters and a modular, grid-aligned rhythm. Proportions lean slightly condensed in many letters, with tall verticals, squared terminals, and simplified joins that keep silhouettes clean and high-contrast against the background. Numerals follow the same faceted construction, maintaining uniform stroke logic and tight, technical spacing behavior in text.
Best suited to headlines, branding, and short bursts of text where the faceted silhouettes can be appreciated—such as game titles, tech-themed posters, product naming, and interface labels. It can also work for signage-style applications when you want a crisp, engineered look, but it’s most comfortable in display sizes rather than long-form reading.
The faceted geometry gives the face a distinctly techno and sci‑fi tone—precise, engineered, and display-forward. Its hard corners and machine-like rhythm read as digital and industrial, with an arcade/terminal flavor that feels energetic without becoming decorative.
The design appears intended to translate a geometric, polygonal construction into a functional sans, replacing curves with clean facets to evoke digital hardware and futuristic industrial styling. It prioritizes consistent stroke logic and strong, memorable outlines for impactful display typography.
Diagonal strokes appear sparingly and are treated as straight, clipped segments rather than smooth transitions, reinforcing a constructed, CNC-like feel. The design’s consistency across caps, lowercase, and figures makes it visually cohesive in headlines, while the angular counters and narrow apertures can start to dominate at very small sizes.