Sans Superellipse Eskoz 1 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Bari Sans' by JCFonts, 'Navine' by OneSevenPointFive, 'Gemsbuck Pro' by Studio Fat Cat, and 'Gunar' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, gaming ui, tech branding, automotive, headlines, sporty, futuristic, technical, dynamic, modern, convey speed, modernize geometry, signal tech, create impact, support display, rounded corners, oblique, squared curves, streamlined, angular cuts.
A streamlined oblique sans with squared, superellipse-like curves and consistently rounded outer corners. Strokes are fairly uniform, with crisp terminals that often resolve into angled cuts, giving the outlines a machined, aerodynamic feel. Counters are compact and squarish (notably in O/0 and D), and the overall proportions favor a high x-height with short ascenders/descenders, supporting dense, even color in text. The rhythm is steady and slightly condensed by the forward slant, with wide, stable capitals and single-storey lowercase forms in the sample.
Well-suited to sports and motorsport identities, gaming and app UI, and technology or automotive branding where a sense of motion and engineered precision is desired. It also works effectively for punchy headlines, posters, and packaging where the oblique stance and squared curves can carry a strong, modern voice.
The italic slant and rounded-rectangle geometry project speed and precision, reading as sporty and tech-forward. Its controlled curves and squared structure feel contemporary and utilitarian, with a subtle sci‑fi edge that stays clean rather than decorative.
The design appears intended to merge a geometric, rounded-rectangle skeleton with an italicized, speed-oriented stance, delivering a contemporary display sans that remains orderly and legible. It prioritizes consistent construction and tight, engineered detail to create a distinctive technical tone.
Figures follow the same rounded-rect construction as the letters, with open, squared counters that remain clear at display sizes. The overall design relies on geometry and terminal treatment rather than contrast, producing a crisp, uniform texture across mixed-case settings.