Sans Superellipse Himom 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Graphicus DT' by DTP Types, 'LCT Picon' by LCT, 'Futura Now' and 'Gill Sans Nova' by Monotype, and 'Interval Next' by Mostardesign (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, punchy, friendly, retro, sporty, bold, impact, approachability, compactness, branding, legibility, compact, blocky, rounded, superelliptic, tight.
A compact, heavy sans with rounded-rectangle (superelliptic) bowls and consistently softened corners. Strokes are thick and largely uniform, producing dense counters and a strong silhouette; curves feel squared-off rather than purely circular. Proportions are tight with short extenders and a sturdy baseline presence, while widths vary by glyph in a way that keeps the rhythm lively without losing overall compactness. The lowercase uses single-storey forms where expected (e.g., a, g), with simple, closed shapes and minimal internal detailing, emphasizing mass and clarity at display sizes.
This font excels in headlines, posters, and signage where a compact, high-impact voice is needed. Its rounded-block construction also suits packaging and branding that want boldness with approachability, as well as short UI labels or badges when set with sufficient spacing.
The tone is confident and attention-grabbing, combining a friendly softness from rounded corners with a tough, poster-like weight. It suggests a sporty, mid-century/retro sensibility—energetic and slightly playful—without becoming informal or script-like.
The design appears intended to deliver maximum visual impact in a compact footprint, using superelliptic rounding to keep a heavy weight feeling friendly and contemporary. It prioritizes strong silhouettes and simple construction for quick recognition and branding punch.
Counters and apertures are relatively small, so the face reads best when given room (size and tracking) rather than in dense paragraphs. Round letters like O/Q and numerals take on a squarish, superelliptic feel that gives the font a distinctive, stamp-like solidity.