Font Hero

Free for Commercial Use

Sans Superellipse Udgud 13 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, confident, modern, compact, add momentum, maximize impact, modernize tone, improve softness, rounded corners, oblique slant, tight rhythm, high impact, clean.


Free for commercial use
Customize the font name

A slanted, heavy sans with compact proportions and rounded-rectangle construction in its curves and counters. Strokes stay visually even, with blunt terminals and softened corners that keep the texture smooth despite the weight. The letterforms lean consistently, with slightly condensed bowls and counters that create a dense, punchy color. Numerals and caps follow the same sturdy geometry, emphasizing stability and strong silhouettes.

Best suited for headlines, short bursts of copy, and display settings where impact and momentum matter. It works well in branding and packaging that need a strong, modern voice, and in sporty or promotional graphics where an italicized, high-energy feel is desirable. For longer text, larger sizes and generous spacing help maintain clarity.

The overall tone is energetic and assertive, with a forward-leaning stance that suggests speed and momentum. Its rounded corners temper the aggression, giving it a contemporary, approachable toughness rather than a sharp or technical feel. The result reads as modern and performance-oriented, suitable for attention-grabbing typography.

The design appears intended as a forceful, contemporary display sans that combines speed cues (oblique slant) with friendly geometry (rounded-rectangle curves). It aims for high visibility and a cohesive, muscular texture across glyphs, prioritizing bold presence over delicate detail.

The set maintains a consistent slant across uppercase, lowercase, and figures, creating a unified typographic rhythm. Round letters (like O/C/G) show a squarish, superelliptical softness, while diagonals (like V/W/X) feel sturdy and compact. The heavy weight and tight internal spaces favor larger sizes where shapes can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸