Sans Normal Vikaf 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'DIN Mittel EF' by Elsner+Flake; 'FF DIN' and 'FF DIN Paneuropean' by FontFont; 'Grandview' by Microsoft Corporation; and 'DIN Next', 'DIN Next Cyrillic', and 'DIN Next Paneuropean' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, app ui, sporty, energetic, assertive, modern, friendly, impact, momentum, approachability, clarity, modernity, rounded, oblique, geometric, compact, soft corners.
A heavy, oblique sans with rounded, geometric construction and smooth, low-contrast strokes. Curves are clean and circular, corners are softly eased, and terminals tend to feel blunt rather than sharply cut. The proportions read slightly compact in the bowls with sturdy verticals, and the slant is consistent across caps, lowercase, and figures, producing a forward-leaning rhythm. Numerals are sturdy and open, matching the letterforms with similarly rounded joins and consistent stroke weight.
Well-suited for headlines, short blocks of display copy, and brand marks that need a dynamic, forward-leaning presence. It can also work for prominent UI elements, labels, and packaging where clarity and impact matter more than extended small-size reading.
The overall tone is energetic and confident, with a sporty, contemporary voice. Rounded shaping keeps it approachable, while the strong weight and steady slant add urgency and momentum. It feels designed to read as bold and active rather than delicate or formal.
The design appears intended to deliver high-impact communication with a modern, athletic slant, combining geometric roundness for friendliness with substantial stroke weight for authority. Its consistent obliquing and simplified, sturdy shapes suggest a focus on fast visual recognition and contemporary styling.
The uppercase set presents as solid and stable, while the lowercase introduces more humanist flow in forms like a, e, and s, helping longer text feel less rigid. The oblique angle is strong enough to be expressive in display settings while remaining coherent in paragraphs at larger sizes.