Print Gonor 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'FF Good' by FontFont, 'MC District Pomay' by Maulana Creative, and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, stickers, quirky, handmade, punchy, retro, playful, handmade look, display impact, quirky voice, diy texture, condensed, irregular, rough-edged, bouncy, high-impact.
A condensed, heavy-stroked display face with deliberately uneven contours and slightly wobbly verticals that read as drawn rather than constructed. Strokes stay largely monolinear, with squared ends and occasional rough notches that introduce a lightly distressed edge. Proportions are tall and narrow with compact counters, giving the alphabet a tight rhythm, while small inconsistencies in width and alignment keep the texture lively. Numerals and lowercase follow the same compressed, hand-shaped logic, maintaining strong color in short words and headlines.
Best suited for display typography where a strong, compact voice is useful: posters, headlines, labels, packaging, and bold brand moments. It also works well for playful signage and merch-style applications where a handmade texture adds personality. For extended reading, it benefits from larger point sizes and generous spacing.
The overall tone is informal and characterful, with a quirky, handmade energy that feels punchy and a bit mischievous. Its tall, compressed stance adds urgency and attitude, while the imperfect edges keep it friendly rather than severe. The result suggests a retro, DIY sensibility suited to expressive, attention-grabbing messages.
The design appears intended to emulate informal hand-rendered lettering with a tall, condensed footprint, prioritizing personality and impact over strict uniformity. Its consistent weight and subtly distressed edges aim to create a bold, DIY texture that stands out quickly in display settings.
In the sample text, the dense letterfit and narrow apertures can make long lines feel dark and busy, especially at smaller sizes. The face reads best when given breathing room—larger sizes, shorter phrases, and slightly increased tracking help the shapes and rough details stay clear.