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Free for Commercial Use

Sans Normal Mugam 15 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold; 'BR Nebula' by Brink; 'Siro' by Dharma Type; 'Croma Sans', 'Equip', and 'Galvani' by Hoftype; 'MC Maxes' by Maulana Creative; and 'Morandi' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, punchy, friendly, modern, sporty, high impact, clear signage, modern branding, approachable boldness, rounded, blocky, compact, sturdy, clean.


Free for commercial use
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A heavy, geometric sans with broad proportions and simplified construction. Curves are built from generous circular and elliptical forms, paired with straight, squared terminals and minimal modulation. Counters are relatively open for the weight, and joins are clean and uncluttered, giving the letters a solid, poster-ready silhouette. Overall spacing and rhythm feel even, with a consistent, utilitarian geometry across capitals, lowercase, and numerals.

Best suited to headlines and display typography where strong presence and clarity are priorities. It works well for branding, packaging, and signage that benefit from a modern, friendly solidity, and it can also serve for short callouts or UI banners where bold labels need to be immediately readable.

The tone is bold and straightforward, with a friendly softness from the rounded bowls balanced by a no-nonsense, blocky finish. It reads as contemporary and energetic, leaning toward impactful messaging rather than delicate refinement. The overall voice feels assertive, approachable, and built to command attention.

The design appears intended to deliver maximum impact with a clean geometric voice, prioritizing simple shapes, strong silhouettes, and dependable legibility at larger sizes. Its rounded structure suggests approachability, while the blocky terminals and dense weight aim for authority and high visibility.

The numerals and uppercase forms present strong, stable shapes suited to large settings, while the lowercase keeps a simple, highly legible structure. Round characters (like O and 0) emphasize wide, smooth curves, and diagonals maintain a crisp, sturdy presence without decorative flair.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸