Sans Superellipse Pemem 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Angela Love Sans' by Fargun Studio, 'Double Porter' by Fenotype, 'Miguel De Northern' by Graphicxell, 'Armetica' by Hsan Fonts, and 'Moneer' by Inumocca (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, condensed, poster-ready, confident, urban, space-saving, high impact, signage clarity, modern branding, blocky, squared, rounded corners, compact, sturdy.
A compact, heavy sans with a tall, condensed stance and near-uniform stroke thickness. Forms are built from rounded-rectangle geometry: bowls and counters feel squared-off with softened corners, producing a superelliptical look rather than fully circular curves. Terminals are blunt and clean, curves transition quickly into straights, and overall spacing is tight, yielding a dense, rhythmic texture in words. Numerals and capitals share the same sturdy, compact construction, with simple, high-contrast counters that stay open despite the weight.
Best suited to headlines, posters, packaging, and signage where space is limited and impact is needed. It also works well for logo wordmarks and bold labels, especially in tight layouts that benefit from condensed letterforms.
The tone is assertive and workmanlike, with a contemporary, no-nonsense attitude. Its squared rounds and tight proportions suggest urban signage and industrial labeling, giving headlines a punchy, direct voice.
The design appears intended to deliver maximum visual impact in a narrow footprint, using squared, rounded geometry to maintain clarity while projecting a strong, contemporary presence.
In running text the condensed width and strong vertical emphasis create a pronounced “stacked” rhythm, making it especially commanding in short lines and large sizes. The rounded corners keep the black mass from feeling overly harsh, balancing toughness with approachability.