Sans Superellipse Jidek 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Aspire Narrow' by Grype, 'PTL Notes Soft' by Primetype, and 'Axial cut' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, interfaces, techno, industrial, retro, game ui, utilitarian, geometric impact, screen style, technical branding, modular system, retro futurism, squared, rounded corners, stencil-like, modular, compact.
This typeface is built from heavy, uniform strokes and a geometric, modular skeleton. Curves are minimized and most bowls resolve as rounded-rectangle forms with consistent corner radii, creating a squared, superelliptic feel across both cases. Terminals are predominantly flat and horizontal/vertical, with occasional angled joins in letters like A, K, V, W, X, and Y. Counters are tight and rectangular, spacing is compact, and the overall silhouette reads as sturdy and engineered rather than calligraphic.
Best suited to short-to-medium display settings where its dense geometry can read as intentional: headlines, posters, logos, packaging, and wayfinding. It also fits interface titles, game menus, and on-screen graphics where a technical, system-like voice is desired; for long passages, the tight counters and compact rhythm may feel heavy.
The overall tone is mechanical and screen-oriented, suggesting hardware labeling, sci‑fi interfaces, and arcade-era graphic systems. Its blocky construction and rounded-square geometry convey a practical, no-nonsense attitude with a distinct retro-futurist edge.
The design appears intended to deliver a robust geometric sans voice grounded in rounded-rectangle construction, balancing hardness (squared architecture) with approachability (softened corners). It prioritizes punchy presence and a cohesive modular system across letters and numerals for contemporary tech and retro-digital aesthetics.
Uppercase and lowercase share a strong family resemblance, with simplified structures and minimal contrast between curved and straight segments. Numerals follow the same boxy logic, emphasizing clear, squared shapes and consistent weight. Some glyphs incorporate small cut-ins or notches that enhance a manufactured, stencil-adjacent texture without becoming decorative.