Print Ribul 8 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Alleyn', 'Alleyn Pro', and 'Polaris' by AVP; 'II Increments Sans' by Increments; 'Nevaeh' by Kufic Studio; 'Sebino Soft' by Nine Font; and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).
Keywords: children’s media, packaging, posters, headlines, social graphics, playful, friendly, casual, bouncy, whimsical, approachability, playfulness, high impact, informality, rounded, soft, chunky, hand-drawn, informal.
A very heavy, rounded handwritten print with a steady rightward slant and soft, blunted terminals. Strokes are thick and largely monoline, with subtle, natural-looking irregularities that suggest marker or brush pressure without sharp contrast. Counters are generous and open, and forms stay legible despite the weight; curves dominate and corners are eased into bulb-like joins. Letter widths vary noticeably, giving lines a lively rhythm and a slightly bouncing baseline feel, while spacing remains fairly even for continuous text.
Best suited to short-to-medium display text where a friendly, attention-grabbing voice is needed—such as children’s content, playful branding, snack or confection packaging, posters, and social media graphics. It can work for brief emphasis in UI or signage, but the extreme weight and lively rhythm make it less appropriate for dense, long-form reading.
The overall tone is cheerful and approachable, with a warm, kid-friendly energy. Its chunky, rounded shapes and gentle slant read as informal and conversational, leaning toward fun rather than formal or technical.
The design appears intended to deliver a bold, easygoing handwritten feel that stays highly legible at large sizes. By combining chunky monoline strokes with rounded geometry and a consistent slant, it aims to communicate friendliness and fun while remaining straightforward enough for punchy titles and branding.
Uppercase shapes are simplified and bold, with rounded construction that maintains clarity at display sizes. Numerals share the same soft, heavy build, and the italic angle is consistent across letters and figures, helping paragraphs feel cohesive despite the hand-drawn variability.