Sans Normal Edmos 14 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry, 'Kommon Grotesk' by TypeK, 'Tablet Gothic' by TypeTogether, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: ui text, branding, headlines, signage, captions, modern, clean, neutral, dynamic, technical, emphasis, clarity, modernity, utility, motion, slanted, geometric, monoline, open counters, high legibility.
This typeface is an oblique, monoline sans with a crisp, geometric construction and smooth, even curves. Strokes keep a consistent thickness with minimal modulation, and terminals are clean and straightforward, giving forms a tidy, engineered feel. Capitals are simple and stable with generous interior space, while lowercase shapes stay compact and regular, with open apertures that help keep letters distinct. The overall rhythm is steady and uncluttered, with a clear italic angle that adds forward motion without becoming calligraphic.
It works well for UI and product typography, navigation, labels, and small-to-medium text where an italic voice is needed without sacrificing clarity. The clean construction also suits contemporary branding, short headlines, and signage that benefits from a modern, slightly forward-leaning tone.
The tone is contemporary and practical, reading as efficient, no-nonsense, and slightly energetic due to the consistent slant. It feels suited to modern interfaces and informational design where clarity matters, while still conveying a subtle sense of speed and momentum.
The design appears intended as a functional, modern oblique sans: a clear, neutral workhorse with a controlled slant for emphasis and motion. Its restrained geometry and consistent stroke behavior suggest a focus on legibility and predictable performance across everyday design contexts.
The numerals and uppercase maintain a firm, geometric presence, and the slant remains consistent across the set, reinforcing a cohesive, system-like texture in running text. The shapes avoid decorative quirks, prioritizing straightforward silhouettes and clean spacing.