Sans Superellipse Ifka 13 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio and 'Equines' by Attractype (names referenced only for comparison).
Keywords: headlines, logotypes, posters, branding, packaging, tech, industrial, futuristic, sporty, confident, impact, modernity, modularity, brand voice, signage, rounded, blocky, geometric, compact, squarish.
A heavy, geometric sans with rounded-rectangle construction and generously radiused corners. Strokes are consistently thick with minimal contrast, producing solid, compact counters—often squarish or superelliptical. Terminals are clean and blunt, and many joins favor simplified geometry over calligraphic modulation, giving letters a carved, engineered feel. The set balances wide, stable capitals with sturdy lowercase forms, and the numerals follow the same rounded, boxy logic for a strongly unified texture.
Best suited to large-scale applications where its dense shapes and rounded-rect geometry can read clearly: headlines, display typography, logotypes, packaging, and bold brand systems. It also fits interface titles, product labeling, and sport/tech promotional graphics where a strong, contemporary voice is desired.
The overall tone is bold and assertive with a distinctly modern, tech-forward edge. Its rounded corners soften the mass, but the dense shapes and squared counters keep it feeling industrial and performance-oriented, like equipment labeling or futuristic UI typography.
The design appears intended to deliver maximum impact through simplified geometric forms and rounded-square construction, creating a cohesive, modular look across letters and numerals. It prioritizes a strong silhouette and consistent rhythm for modern display use, aiming for an engineered, futuristic personality that remains approachable through softened corners.
Distinctive details include a boxy, inset-style counter treatment in several glyphs (notably the Q/q and some numerals), reinforcing a modular, stencil-like impression without fully breaking strokes. The heavy weight and tight internal spaces create a strong color in text, favoring impact and clarity over delicacy at smaller sizes.