Sans Superellipse Gilak 3 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Arkit' by CAST, 'Mercurial' by Grype, 'Futo Sans' by HB Font, 'JH Oleph' by JH Fonts, 'Aestetico' by Latinotype, and 'Kongress' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, techy, industrial, assertive, playful, futuristic, impact, modernity, clarity, solidity, approachability, squared-round, blocky, geometric, compact apertures, rounded corners.
A heavy, geometric sans with squared-round construction: curves resolve into rounded rectangles and superellipse-like bowls, while terminals and corners are consistently softened. Strokes read largely uniform, producing a solid, monolithic color and a compact internal rhythm with relatively small counters. Proportions are broad and stable, with straight-sided forms (like E, F, H, I) pairing cleanly with rounded shapes (like O, C, G) that keep their corners gently radiused. Diagonals (A, K, V, W, X) are sturdy and simple, and the numerals match the same blocky, rounded-rect geometry for a cohesive set.
Best suited to display roles where strong presence is desirable: headlines, posters, signage, and bold brand marks. It also fits product packaging and UI moments that need a robust, modern tone, such as dashboard headings, app onboarding, or gaming/tech promotional graphics.
The overall tone feels confident and engineered, with a contemporary, tech-forward personality. Its softened corners keep the weight from feeling harsh, adding a friendly, game-like energy while still reading as strong and utilitarian. The dense, bold texture gives it an emphatic voice suited to attention-grabbing messaging.
The design appears intended to deliver maximum impact through a compact, geometric silhouette built from squared-round shapes. By combining uniform stroke weight with consistent corner radiusing, it aims for a modern, industrial clarity that stays approachable rather than severe.
Because counters and apertures are tight, the face creates high impact at display sizes and can feel dense as text gets smaller. The consistent corner rounding and straight-sided bowls make it especially distinctive in letters like C, G, O, and in the squared lowercase structures.